ISRC

GBAAM9800123

Don’t Come Home Too Soon2

Song: DON'T COME HOME TOO SOON

Del Amitri
unmatchedNot yet matched in the MLC database
Released 1998-01-01

Last verified:

GBAAM9800123 is the International Standard Recording Code (ISRC) for the recording “Don’t Come Home Too Soon by Del Amitri, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUSTIN CURRIE.

Format

GBCountry
AAMRegistrant
98Year (1998)
00123Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JUSTIN CURRIEComposer
UNIVERSAL - POLYGRAM INTERNATIONAL PUB INC OriginalPublisher100.00%IPI: 00343892736

Who publishes this song?

UNIVERSAL - POLYGRAM INTERNATIONAL PUB INCOriginalPublisher
IPI: 00343892736

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Don’t Come Home Too Soon" by Del Amitri?
The ISRC for "Don’t Come Home Too Soon" by Del Amitri is GBAAM9800123.
Who wrote "Don’t Come Home Too Soon"?
"Don’t Come Home Too Soon" was written by JUSTIN CURRIE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAAM9800123?

GBAAM9800123 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Don’t Come Home Too Soon by Del Amitri. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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