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Weelkes: Hark, All Ye Lovely Saints - 3. See, See, Your Mistress Bids You Cease album cover

ISRC

GBADM8259103

Weelkes: Hark, All Ye Lovely Saints - 3. See, See, Your Mistress Bids You Cease

Song: Eight Ballets and Madrigals, Volume 1: VIII. Hark, All ye Lovely Saints Above

Thomas Weelkes
Released 1982-10-01

Last verified:

GBADM8259103 is the International Standard Recording Code (ISRC) for the recording "Weelkes: Hark, All Ye Lovely Saints - 3. See, See, Your Mistress Bids You Cease" by Thomas Weelkes, released 1982-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ADMRegistrant
82Year (1982)
59103Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1982):
Last two digits of the reference year (1982). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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People also ask

What is the ISRC for "Weelkes: Hark, All Ye Lovely Saints - 3. See, See, Your Mistress Bids You Cease" by Thomas Weelkes?
The ISRC for "Weelkes: Hark, All Ye Lovely Saints - 3. See, See, Your Mistress Bids You Cease" by Thomas Weelkes is GBADM8259103.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBADM8259103?

GBADM8259103 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Weelkes: Hark, All Ye Lovely Saints - 3. See, See, Your Mistress Bids You Cease" by Thomas Weelkes. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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