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The Road to Hell, Part 2 album cover

ISRC

GBAHS0405079

The Road to Hell, Part 22

Song: THE ROAD TO HELL

Chris Rea
unmatchedNot yet matched in the MLC database
Released 1993-01-01

Last verified:

GBAHS0405079 is the International Standard Recording Code (ISRC) for the recording "The Road to Hell, Part 2" by Chris Rea, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AHSRegistrant
04Year (2004)
05079Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CHRIS REAComposer
MAGNET MUSIC LTD OriginalPublisher0.00%IPI: 00070155502
INTERSONG-USA, INC. RightsAdministrator100.00%IPI: 00058333475

Who publishes this song?

MAGNET MUSIC LTDOriginalPublisher
IPI: 00070155502
INTERSONG-USA, INC.RightsAdministrator
IPI: 00058333475

MLC Song Code

R06549
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

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People also ask

What is the ISRC for "The Road to Hell, Part 2" by Chris Rea?
The ISRC for "The Road to Hell, Part 2" by Chris Rea is GBAHS0405079.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAHS0405079?

GBAHS0405079 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Road to Hell, Part 2" by Chris Rea. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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