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Dermot (see yourself in my eyes) album cover

ISRC

GBAHS2001195

Dermot (see yourself in my eyes)

Song: DERMOT (SEE YOURSELF IN MY EYES)

Fred again..
unmatchedNot yet matched in the MLC database
Released 2021-04-14

Last verified:

GBAHS2001195 is the International Standard Recording Code (ISRC) for the recording "Dermot (see yourself in my eyes)" by Fred again.., released 2021-04-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HENRY AUBREY HORTON COUNSELL, FREDERICK JOHN PHILIP GIBSON, CAREY SUTHON WILLETTS, and others.

Format

GBCountry
AHSRegistrant
20Year (2020)
01195Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Dermot (see yourself in my eyes)" by Fred again..?
The ISRC for "Dermot (see yourself in my eyes)" by Fred again.. is GBAHS2001195.
Who wrote "Dermot (see yourself in my eyes)"?
"Dermot (see yourself in my eyes)" was written by HENRY AUBREY HORTON COUNSELL, FREDERICK JOHN PHILIP GIBSON, CAREY SUTHON WILLETTS, DERMOT JOSEPH KENNEDY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAHS2001195?

GBAHS2001195 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dermot (see yourself in my eyes)" by Fred again... ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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