Marea (We’ve Lost Dancing) album cover

ISRC

GBAHS2100041

Marea (We’ve Lost Dancing)

Song: MAREA (WE'VE LOST DANCING)

Fred again..The Blessed Madonna
matched
Released 2021-01-01

Last verified:

GBAHS2100041 is the International Standard Recording Code (ISRC) for the recording "Marea (We’ve Lost Dancing)" by Fred again.., The Blessed Madonna, released 2021-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FREDERICK JOHN PHILIP GIBSON, THIBAUD NOYER, MAREA RENEE STAMPER, and others.

Format

GBCountry
AHSRegistrant
21Year (2021)
00041Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMarea (We’ve Lost Dancing)

People also ask

What is the ISRC for "Marea (We’ve Lost Dancing)" by Fred again..?
The ISRC for "Marea (We’ve Lost Dancing)" by Fred again.., The Blessed Madonna is GBAHS2100041.
Who wrote "Marea (We’ve Lost Dancing)"?
"Marea (We’ve Lost Dancing)" was written by FREDERICK JOHN PHILIP GIBSON, THIBAUD NOYER, MAREA RENEE STAMPER, MAREA STAMPER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAHS2100041?

GBAHS2100041 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Marea (We’ve Lost Dancing)" by Fred again.., The Blessed Madonna. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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