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Mollie (hear your name) album cover

ISRC

GBAHS2101346

Mollie (hear your name)

Song: MOLLIE HEAR YOUR NAME

Fred again..
unmatchedNot yet matched in the MLC database
Released 2021-11-19

Last verified:

GBAHS2101346 is the International Standard Recording Code (ISRC) for the recording "Mollie (hear your name)" by Fred again.., released 2021-11-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HENRY COUNSELL, FREDERICK JOHN PHILIP GIBSON, MARSHALL KENNETH VORE, and others.

Format

GBCountry
AHSRegistrant
21Year (2021)
01346Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMollie (hear your name)
IPIHENRY COUNSELL

People also ask

What is the ISRC for "Mollie (hear your name)" by Fred again..?
The ISRC for "Mollie (hear your name)" by Fred again.. is GBAHS2101346.
Who wrote "Mollie (hear your name)"?
"Mollie (hear your name)" was written by HENRY COUNSELL, FREDERICK JOHN PHILIP GIBSON, MARSHALL KENNETH VORE, PHOEBE LUCILLE BRIDGERS, EMMANUEL FRANKLYN ADELABU, MOLLIE CARR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAHS2101346?

GBAHS2101346 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mollie (hear your name)" by Fred again... ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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