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Delilah (pull me out of this) album cover

ISRC

GBAHS2201028

Delilah (pull me out of this)

Song: DELILAH PULL ME OUT OF THIS

Fred again..
unmatchedNot yet matched in the MLC database
Released 2022-01-01

Last verified:

GBAHS2201028 is the International Standard Recording Code (ISRC) for the recording "Delilah (pull me out of this)" by Fred again.., released 2022-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DELILAH MONTAGU, BENJY GIBSON, FREDERICK JOHN PHILIP GIBSON, and others.

Format

GBCountry
AHSRegistrant
22Year (2022)
01028Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDelilah (pull me out of this)
IPIDELILAH MONTAGU

People also ask

What is the ISRC for "Delilah (pull me out of this)" by Fred again..?
The ISRC for "Delilah (pull me out of this)" by Fred again.. is GBAHS2201028.
Who wrote "Delilah (pull me out of this)"?
"Delilah (pull me out of this)" was written by DELILAH MONTAGU, BENJY GIBSON, FREDERICK JOHN PHILIP GIBSON, FRED GIBSON, BENJAMIN JAMES GIBSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAHS2201028?

GBAHS2201028 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Delilah (pull me out of this)" by Fred again... ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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