Baby Baby (Dancing Divaz club mix) album cover

ISRC

GBAHT1327077

Baby Baby (Dancing Divaz club mix)2

Song: BABY BABY

Corona
matched
Released 1994-01-01

Last verified:

GBAHT1327077 is the International Standard Recording Code (ISRC) for the recording “Baby Baby (Dancing Divaz club mix) by Corona, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL PHILIP WITTS, A. BOTTARI, F. BONTEMPI, and others.

Format

GBCountry
AHTRegistrant
13Year (2013)
27077Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PAUL PHILIP WITTSComposer
A. BOTTARIComposer
F. BONTEMPIComposer
ROBERT V. MANLEYComposer

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Baby Baby (Dancing Divaz club mix)" by Corona?
The ISRC for "Baby Baby (Dancing Divaz club mix)" by Corona is GBAHT1327077.
Who wrote "Baby Baby (Dancing Divaz club mix)"?
"Baby Baby (Dancing Divaz club mix)" was written by PAUL PHILIP WITTS, A. BOTTARI, F. BONTEMPI, ROBERT V. MANLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAHT1327077?

GBAHT1327077 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Baby Baby (Dancing Divaz club mix) by Corona. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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