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ISRC

GBAJC0204037

No Ticket / Keeping Up With the Joneses

Song: No Ticket

The City of Prague Philharmonic ChoirThe City of Prague Philharmonic OrchestraNic Raine
unmatchedNot yet matched in the MLC database
Released 2003-01-21

Last verified:

GBAJC0204037 is the International Standard Recording Code (ISRC) for the recording "No Ticket / Keeping Up With the Joneses" by The City of Prague Philharmonic Choir, The City of Prague Philharmonic Orchestra, Nic Raine, released 2003-01-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJCRegistrant
02Year (2002)
04037Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "No Ticket / Keeping Up With the Joneses" by The City of Prague Philharmonic Choir?
The ISRC for "No Ticket / Keeping Up With the Joneses" by The City of Prague Philharmonic Choir, The City of Prague Philharmonic Orchestra, Nic Raine is GBAJC0204037.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJC0204037?

GBAJC0204037 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "No Ticket / Keeping Up With the Joneses" by The City of Prague Philharmonic Choir, The City of Prague Philharmonic Orchestra, Nic Raine. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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