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ISRC

GBAJC6800111

The Dark Side of the Moon2

Song: ON THE DARK SIDE OF THE MOON

Don Harper and Musicians
matched
Released 2013-12-09

Last verified:

GBAJC6800111 is the International Standard Recording Code (ISRC) for the recording “The Dark Side of the Moon” by Don Harper and Musicians, released 2013-12-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRANK COMSTACK.

Format

GBCountry
AJCRegistrant
68Year (1968)
00111Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FRANK COMSTACKComposer
CRITERION MUSIC CORPORATION OriginalPublisher100.00%IPI: 00007099685

Who publishes this song?

CRITERION MUSIC CORPORATIONOriginalPublisher
IPI: 00007099685
SourcesMusicBrainzMLC2 sources

Verified on

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People also ask

What is the ISRC for "The Dark Side of the Moon" by Don Harper and Musicians?
The ISRC for "The Dark Side of the Moon" by Don Harper and Musicians is GBAJC6800111.
Who wrote "The Dark Side of the Moon"?
"The Dark Side of the Moon" was written by FRANK COMSTACK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJC6800111?

GBAJC6800111 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Dark Side of the Moon” by Don Harper and Musicians. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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