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ISRC

GBAJD0921349

Good Looking Woman Blues2

Song: GOOD LOOKING WOMAN BLUES

Robert Lee Westmoreland
matched
Released 2009-01-01

Last verified:

GBAJD0921349 is the International Standard Recording Code (ISRC) for the recording “Good Looking Woman Blues” by Robert Lee Westmoreland, released 2009-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT WESTMORELAND LEE.

Format

GBCountry
AJDRegistrant
09Year (2009)
21349Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROBERT WESTMORELAND LEEComposer
BOOT HOUSE OF TUNES OriginalPublisherIPI: 00214787459

Who publishes this song?

BOOT HOUSE OF TUNESOriginalPublisher
IPI: 00214787459
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Good Looking Woman Blues" by Robert Lee Westmoreland?
The ISRC for "Good Looking Woman Blues" by Robert Lee Westmoreland is GBAJD0921349.
Who wrote "Good Looking Woman Blues"?
"Good Looking Woman Blues" was written by ROBERT WESTMORELAND LEE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJD0921349?

GBAJD0921349 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Good Looking Woman Blues” by Robert Lee Westmoreland. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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