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Too Much Pressure album cover

ISRC

GBAJE9100151

Too Much Pressure2

Song: TOO MUCH PRESSURE

The Selecter
matched
Released 1992-01-01

Last verified:

GBAJE9100151 is the International Standard Recording Code (ISRC) for the recording “Too Much Pressure” by The Selecter, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NEOL DAVIES.

Format

GBCountry
AJERegistrant
91Year (1991)
00151Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NEOL DAVIESComposer
FAIRWOOD MUSIC (UK) LTD OriginalPublisherIPI: 00159896501
FAIRWOOD MUSIC (UK) LTD RightsAdministrator

Who publishes this song?

FAIRWOOD MUSIC (UK) LTDOriginalPublisher
IPI: 00159896501
FAIRWOOD MUSIC (UK) LTDRightsAdministrator

MLC Song Code

T7121O
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Too Much Pressure" by The Selecter?
The ISRC for "Too Much Pressure" by The Selecter is GBAJE9100151.
Who wrote "Too Much Pressure"?
"Too Much Pressure" was written by NEOL DAVIES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJE9100151?

GBAJE9100151 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Too Much Pressure” by The Selecter. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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