Here Come the Blues album cover

ISRC

GBAJE9600011

Here Come the Blues2

Song: HERE COME THE BLUES

Jackson C. Frank
matched
Released 1978-01-01

Last verified:

GBAJE9600011 is the International Standard Recording Code (ISRC) for the recording "Here Come the Blues" by Jackson C. Frank, released 1978-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACKSON C. FRANK.

Format

GBCountry
AJERegistrant
96Year (1996)
00011Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JACKSON C. FRANKComposer
AGELONG MUSIC PUBLISHING INC. OriginalPublisher100.00%IPI: 00126327296

Who publishes this song?

AGELONG MUSIC PUBLISHING INC.OriginalPublisher
IPI: 00126327296

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Here Come the Blues" by Jackson C. Frank?
The ISRC for "Here Come the Blues" by Jackson C. Frank is GBAJE9600011.
Who wrote "Here Come the Blues"?
"Here Come the Blues" was written by JACKSON C. FRANK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJE9600011?

GBAJE9600011 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Here Come the Blues" by Jackson C. Frank. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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