ISRC
GBAJY0126002
Wohl dem, der den Herren fürchtet
Last verified:
GBAJY0126002 is the International Standard Recording Code (ISRC) for the recording "Wohl dem, der den Herren fürchtet" by Robin Blaze, Timothy Amherst, Michael Brain, Lisa Cochrane, Gary Cooper, Simon Jones, The King’s Consort, David Miller, Katherine Sharman, William Thorp, Dorothea Vogel, Robert King, released 2001-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2001):
- Last two digits of the reference year (2001). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
Verified on
Related
More by Robin Blaze
Remember not, Lord, our offences, Z. 50
The King’s Consort, Robert King
GBAJY9362309
Blow up the trumpet in Sion, Z. 10
The King’s Consort, Robert King
GBAJY9362301
The Lord is king, be the people never so impatient, Z. 53
The King’s Consort, Robert King
GBAJY9362302
O Lord, our Governor, Z. 141
The King’s Consort, Robert King
GBAJY9362308
Hosanna to the highest, Z. 187
The King’s Consort, Robert King
GBAJY9362310
O God, thou hast cast us out, Z. 36
The King’s Consort, Robert King
GBAJY9362311
People also ask
What is ISRC GBAJY0126002?
GBAJY0126002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Wohl dem, der den Herren fürchtet" by Robin Blaze, Timothy Amherst, Michael Brain, Lisa Cochrane, Gary Cooper, Simon Jones, The King’s Consort, David Miller, Katherine Sharman, William Thorp, Dorothea Vogel, Robert King. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm