O Ecclesia album cover

ISRC

GBAJY8403908

O Ecclesia2

Song: O ECCLESIA

Emily Van EveraPoppy HoldenJudith StellDoreen MuskettGothic VoicesChristopher Page
matched
Released 1985-04-01

Last verified:

GBAJY8403908 is the International Standard Recording Code (ISRC) for the recording “O Ecclesia by Emily Van Evera, Poppy Holden, Judith Stell, Doreen Muskett, Gothic Voices, Christopher Page, released 1985-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HILDEGARD VON BINGEN.

Format

GBCountry
AJYRegistrant
84Year (1984)
03908Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1984):
Last two digits of the reference year (1984). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HILDEGARD VON BINGENComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "O Ecclesia" by Emily Van Evera?
The ISRC for "O Ecclesia" by Emily Van Evera, Poppy Holden, Judith Stell, Doreen Muskett, Gothic Voices, Christopher Page is GBAJY8403908.
Who wrote "O Ecclesia"?
"O Ecclesia" was written by HILDEGARD VON BINGEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY8403908?

GBAJY8403908 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “O Ecclesia by Emily Van Evera, Poppy Holden, Judith Stell, Doreen Muskett, Gothic Voices, Christopher Page. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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