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Sāvitri: Once I knew maya : Now she is forgot (Sāvitri) album cover

ISRC

GBAJY8709905

Sāvitri: Once I knew maya : Now she is forgot (Sāvitri)

Song: Sāvitri, op. 25

Felicity PalmerPhilip LangridgeCity of London SinfoniaRichard Hickox
Released 2000-06-01

Last verified:

GBAJY8709905 is the International Standard Recording Code (ISRC) for the recording "Sāvitri: Once I knew maya : Now she is forgot (Sāvitri)" by Felicity Palmer, Philip Langridge, City of London Sinfonia, Richard Hickox, released 2000-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
87Year (1987)
09905Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Sāvitri: Once I knew maya : Now she is forgot (Sāvitri)" by Felicity Palmer?
The ISRC for "Sāvitri: Once I knew maya : Now she is forgot (Sāvitri)" by Felicity Palmer, Philip Langridge, City of London Sinfonia, Richard Hickox is GBAJY8709905.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY8709905?

GBAJY8709905 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sāvitri: Once I knew maya : Now she is forgot (Sāvitri)" by Felicity Palmer, Philip Langridge, City of London Sinfonia, Richard Hickox. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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