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ISRC

GBAJY8725212

Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him"

Song: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”

The SixteenOrchestra of The SixteenHarry Christophers
Released 1987-06-01

Last verified:

GBAJY8725212 is the International Standard Recording Code (ISRC) for the recording "Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him"" by The Sixteen, Orchestra of The Sixteen, Harry Christophers, released 1987-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
87Year (1987)
25212Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him"" by The Sixteen?
The ISRC for "Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him"" by The Sixteen, Orchestra of The Sixteen, Harry Christophers is GBAJY8725212.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY8725212?

GBAJY8725212 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him"" by The Sixteen, Orchestra of The Sixteen, Harry Christophers. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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