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Five Mystical Songs, No. 2: I Got Me Flowers album cover

ISRC

GBAJY9042003

Five Mystical Songs, No. 2: I Got Me Flowers

Song: Five Mystical Songs: No. 2. I Got Me Flowers

Sir Thomas AllenCorydon SingersEnglish Chamber OrchestraMatthew Best
Released 1990-09-01

Last verified:

GBAJY9042003 is the International Standard Recording Code (ISRC) for the recording "Five Mystical Songs, No. 2: I Got Me Flowers" by Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best, released 1990-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
90Year (1990)
42003Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Five Mystical Songs, No. 2: I Got Me Flowers" by Sir Thomas Allen?
The ISRC for "Five Mystical Songs, No. 2: I Got Me Flowers" by Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best is GBAJY9042003.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9042003?

GBAJY9042003 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Five Mystical Songs, No. 2: I Got Me Flowers" by Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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