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The Art of Fugue, BWV 1080: VII. Contrapunctus 6 (per diminutionem) in stylo Francese album cover

ISRC

GBAJY9263113

The Art of Fugue, BWV 1080: VII. Contrapunctus 6 (per diminutionem) in stylo Francese

Song: Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese

Tatiana Nikolayeva
Released 1992-08-01

Last verified:

GBAJY9263113 is the International Standard Recording Code (ISRC) for the recording “The Art of Fugue, BWV 1080: VII. Contrapunctus 6 (per diminutionem) in stylo Francese” by Tatiana Nikolayeva, released 1992-08-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
92Year (1992)
63113Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Art of Fugue, BWV 1080: VII. Contrapunctus 6 (per diminutionem) in stylo Francese" by Tatiana Nikolayeva?
The ISRC for "The Art of Fugue, BWV 1080: VII. Contrapunctus 6 (per diminutionem) in stylo Francese" by Tatiana Nikolayeva is GBAJY9263113.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9263113?

GBAJY9263113 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Art of Fugue, BWV 1080: VII. Contrapunctus 6 (per diminutionem) in stylo Francese” by Tatiana Nikolayeva. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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