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SYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO album cover

ISRC

GBAJY9353405

SYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO

Song: SYMPHONY NO. 103 IN E-FLAT MAJOR, H. 1/103: I. ADAGIO ¢ ALLEGRO CON SPIRITO

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GBAJY9353405 is the International Standard Recording Code (ISRC) for the recording “SYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRANZ JOSEPH HAYDN, DONALD MICHAEL KASEN.

Format

GBCountry
AJYRegistrant
93Year (1993)
53405Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO
IPIFRANZ JOSEPH HAYDN

Related

Songwriter profiles

FRANZ JOSEPH HAYDNIPIDONALD MICHAEL KASENIPI

People also ask

What is the ISRC for "SYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO"?
The ISRC for "SYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO" is GBAJY9353405.
Who wrote "SYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO"?
"SYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO" was written by FRANZ JOSEPH HAYDN, DONALD MICHAEL KASEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9353405?

GBAJY9353405 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SYMPHONY NO. 14 IN A MAJOR: I. ALLEGRO MOLTO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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