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Blow up the trumpet in Sion, Z. 10 album cover

ISRC

GBAJY9362301

Blow up the trumpet in Sion, Z. 10

Song: FULL ANTHEM `BLOW UP THE TRUMPET IN SION` (BEFORE 1679) Z 10

The King’s ConsortRobert King
matched
Released 1993-01-01

Last verified:

GBAJY9362301 is the International Standard Recording Code (ISRC) for the recording "Blow up the trumpet in Sion, Z. 10" by The King’s Consort, Robert King, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HENRY PURCELL.

Format

GBCountry
AJYRegistrant
93Year (1993)
62301Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HENRY PURCELLComposerLyricist
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Blow up the trumpet in Sion, Z. 10" by The King’s Consort?
The ISRC for "Blow up the trumpet in Sion, Z. 10" by The King’s Consort, Robert King is GBAJY9362301.
Who wrote "Blow up the trumpet in Sion, Z. 10"?
"Blow up the trumpet in Sion, Z. 10" was written by HENRY PURCELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9362301?

GBAJY9362301 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Blow up the trumpet in Sion, Z. 10" by The King’s Consort, Robert King. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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