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"""LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191""" album cover

ISRC

GBAJY9365610

"""LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191"""

Song: LET THE NIGHT PERISH (JOB'S CURSE)

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GBAJY9365610 is the International Standard Recording Code (ISRC) for the recording """"LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191"""". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HENRY PURCELL, NICO MUHLY.

Format

GBCountry
AJYRegistrant
93Year (1993)
65610Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"""LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191"""
IPIHENRY PURCELL

Related

Songwriter profiles

HENRY PURCELLIPINICO MUHLYIPI

People also ask

What is the ISRC for """"LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191""""?
The ISRC for """"LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191"""" is GBAJY9365610.
Who wrote """"LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191""""?
""""LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191"""" was written by HENRY PURCELL, NICO MUHLY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9365610?

GBAJY9365610 is an International Standard Recording Code (ISRC) that uniquely identifies the recording """"LET THE NIGHT PERISH, """"JOB'S CURSE"""", Z. 191"""". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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