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Suite in D major: Adagio/Allegro/Chaconne/Adagio album cover

ISRC

GBAJY9908812

Suite in D major: Adagio/Allegro/Chaconne/Adagio

Song: Sonata no. 2 in D major

Mark CaudlePeter HolmanElizabeth KennyThe Parley of InstrumentsSusanna Pell
Released 2004-01-01

Last verified:

GBAJY9908812 is the International Standard Recording Code (ISRC) for the recording "Suite in D major: Adagio/Allegro/Chaconne/Adagio" by Mark Caudle, Peter Holman, Elizabeth Kenny, The Parley of Instruments, Susanna Pell, released 2004-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
99Year (1999)
08812Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Suite in D major: Adagio/Allegro/Chaconne/Adagio" by Mark Caudle?
The ISRC for "Suite in D major: Adagio/Allegro/Chaconne/Adagio" by Mark Caudle, Peter Holman, Elizabeth Kenny, The Parley of Instruments, Susanna Pell is GBAJY9908812.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9908812?

GBAJY9908812 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Suite in D major: Adagio/Allegro/Chaconne/Adagio" by Mark Caudle, Peter Holman, Elizabeth Kenny, The Parley of Instruments, Susanna Pell. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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