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Sweet and Dandy album cover

ISRC

GBAPA6900002

Sweet and Dandy2

Song: SWEET & DANDY

Toots & The Maytals
matched
Released 2000-01-01

Last verified:

GBAPA6900002 is the International Standard Recording Code (ISRC) for the recording "Sweet and Dandy" by Toots & The Maytals, released 2000-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HIBBERT.

Format

GBCountry
APARegistrant
69Year (1969)
00002Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1969):
Last two digits of the reference year (1969). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HIBBERTComposer
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL INC OriginalPublisherIPI: 00353265272

Who publishes this song?

UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL INCOriginalPublisher
IPI: 00353265272

MLC Song Code

S86620
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "Sweet and Dandy" by Toots & The Maytals?
The ISRC for "Sweet and Dandy" by Toots & The Maytals is GBAPA6900002.
Who wrote "Sweet and Dandy"?
"Sweet and Dandy" was written by HIBBERT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAPA6900002?

GBAPA6900002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sweet and Dandy" by Toots & The Maytals. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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