ISRC

GBAQT9600054

"GROUPIE THERAPY (SAMPLES: ""LADIES FIRST"")"

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GBAQT9600054 is the International Standard Recording Code (ISRC) for the recording “"GROUPIE THERAPY (SAMPLES: ""LADIES FIRST"")". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DERRICK LEMEL STEWART, SIMONE JOHNSON, EMANDU WILCOX, and others.

Format

GBCountry
AQTRegistrant
96Year (1996)
00054Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"GROUPIE THERAPY (SAMPLES: ""LADIES FIRST"")"

People also ask

What is the ISRC for ""GROUPIE THERAPY (SAMPLES: ""LADIES FIRST"")""?
The ISRC for ""GROUPIE THERAPY (SAMPLES: ""LADIES FIRST"")"" is GBAQT9600054.
Who wrote ""GROUPIE THERAPY (SAMPLES: ""LADIES FIRST"")""?
""GROUPIE THERAPY (SAMPLES: ""LADIES FIRST"")"" was written by DERRICK LEMEL STEWART, SIMONE JOHNSON, EMANDU WILCOX, SHANE HARBIN FABER, ROMYE ROBINSON, ANTHONY PEAKS, DANA OWENS, JOSEPH KIRKLAND, MARK JAMES, D. STEWART, T. HARDSON, CHRISTOPHER P JAMES, JOHNSON, DIAMOND D, E. WILCOX, FABER, R. ROBINSON, OWENS, PEAKS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAQT9600054?

GBAQT9600054 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “"GROUPIE THERAPY (SAMPLES: ""LADIES FIRST"")". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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