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Angry Hill album cover

ISRC

GBARL1301123

Angry Hill2

Song: ANGRY HILL

George Ezra
matched
Released 2013-10-25

Last verified:

GBARL1301123 is the International Standard Recording Code (ISRC) for the recording “Angry Hill” by George Ezra, released 2013-10-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GEORGE BARNETT.

Format

GBCountry
ARLRegistrant
13Year (2013)
01123Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GEORGE BARNETTComposer
BMG RIGHTS MANAGEMENT (UK) LTD OriginalPublisher0.00%IPI: 00576134244
BMG PLATINUM SONGS RightsAdministrator100.00%IPI: 00595808890

Who publishes this song?

BMG RIGHTS MANAGEMENT (UK) LTDOriginalPublisher
IPI: 00576134244
BMG PLATINUM SONGSRightsAdministrator
IPI: 00595808890

MLC Song Code

A8560J
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Angry Hill" by George Ezra?
The ISRC for "Angry Hill" by George Ezra is GBARL1301123.
Who wrote "Angry Hill"?
"Angry Hill" was written by GEORGE BARNETT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBARL1301123?

GBARL1301123 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Angry Hill” by George Ezra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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