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Love You More (acoustic) album cover

ISRC

GBARL1601848

Love You More (acoustic)2

Song: LOVE YOU MORE

Olly Murs
unmatchedNot yet matched in the MLC database
Released 2020-05-28

Last verified:

GBARL1601848 is the International Standard Recording Code (ISRC) for the recording “Love You More (acoustic)” by Olly Murs, released 2020-05-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDREW WILLIAM JACKSON, EDVARD FOERRE ERFJORD, MATTHEW SMITH RADOSEVICH, and others.

Format

GBCountry
ARLRegistrant
16Year (2016)
01848Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLove You More (acoustic)
IPIANDREW WILLIAM JACKSON

People also ask

What is the ISRC for "Love You More (acoustic)" by Olly Murs?
The ISRC for "Love You More (acoustic)" by Olly Murs is GBARL1601848.
Who wrote "Love You More (acoustic)"?
"Love You More (acoustic)" was written by ANDREW WILLIAM JACKSON, EDVARD FOERRE ERFJORD, MATTHEW SMITH RADOSEVICH, HENRIK BARMAN MICHELSEN, EDWARD JAMES DREWETT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBARL1601848?

GBARL1601848 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Love You More (acoustic)” by Olly Murs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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