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ISRC

GBARL1900802

FEEL IT (FEAT. THEOPHILUS LONDON)

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GBARL1900802 is the International Standard Recording Code (ISRC) for the recording “FEEL IT (FEAT. THEOPHILUS LONDON)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDREW KENNETH FRANKLIN, THEOPHILUS LONDON, ANDRE CARNELL ROBERTSON, and others.

Format

GBCountry
ARLRegistrant
19Year (2019)
00802Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFEEL IT (FEAT. THEOPHILUS LONDON)
IPIANDREW KENNETH FRANKLIN

Related

Songwriter profiles

ANDREW KENNETH FRANKLINIPIANDRE CARNELL ROBERTSONIPIOCTAVIAN OLIVER GODJI KPOKOUAIPIKYLE SMITHIPIYINKA BANKOLE-OJOIPI

People also ask

What is the ISRC for "FEEL IT (FEAT. THEOPHILUS LONDON)"?
The ISRC for "FEEL IT (FEAT. THEOPHILUS LONDON)" is GBARL1900802.
Who wrote "FEEL IT (FEAT. THEOPHILUS LONDON)"?
"FEEL IT (FEAT. THEOPHILUS LONDON)" was written by ANDREW KENNETH FRANKLIN, THEOPHILUS LONDON, ANDRE CARNELL ROBERTSON, OCTAVIAN OLIVER GODJI KPOKOUA, KYLE SMITH, YINKA BANKOLE-OJO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBARL1900802?

GBARL1900802 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “FEEL IT (FEAT. THEOPHILUS LONDON)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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