POUR THE MILK JOEL CORRY REMIX album cover

ISRC

GBARL2000338

POUR THE MILK JOEL CORRY REMIX2

Song: POUR THE MILK

ROBBIE DOHERTY KEEES
unmatchedNot yet matched in the MLC database
Released 2020-04-03

Last verified:

GBARL2000338 is the International Standard Recording Code (ISRC) for the recording “POUR THE MILK JOEL CORRY REMIX by ROBBIE DOHERTY KEEES, released 2020-04-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SUZANNE VEGA, ROBBIE DOHERTY, KEITH MCCALLION, and others.

Format

GBCountry
ARLRegistrant
20Year (2020)
00338Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPOUR THE MILK JOEL CORRY REMIX

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Songwriter profiles

People also ask

What is the ISRC for "POUR THE MILK JOEL CORRY REMIX" by ROBBIE DOHERTY KEEES?
The ISRC for "POUR THE MILK JOEL CORRY REMIX" by ROBBIE DOHERTY KEEES is GBARL2000338.
Who wrote "POUR THE MILK JOEL CORRY REMIX"?
"POUR THE MILK JOEL CORRY REMIX" was written by SUZANNE VEGA, ROBBIE DOHERTY, KEITH MCCALLION, KEVIN WADE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBARL2000338?

GBARL2000338 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “POUR THE MILK JOEL CORRY REMIX by ROBBIE DOHERTY KEEES. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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