Where Do We Come From? album cover

ISRC

GBARL2000715

Where Do We Come From?2

Song: WHERE DO WE COME FROM?

Paul EpworthIshmaelELLE YAYA
unmatchedNot yet matched in the MLC database
Released 2020-09-11

Last verified:

GBARL2000715 is the International Standard Recording Code (ISRC) for the recording “Where Do We Come From? by Paul Epworth, Ishmael, ELLE YAYA, released 2020-09-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL RICHARD EPWORTH, JESSIE REYEZ, NIKOLAJ TORP LARSEN, and others.

Format

GBCountry
ARLRegistrant
20Year (2020)
00715Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWhere Do We Come From?

People also ask

What is the ISRC for "Where Do We Come From?" by Paul Epworth?
The ISRC for "Where Do We Come From?" by Paul Epworth, Ishmael, ELLE YAYA is GBARL2000715.
Who wrote "Where Do We Come From?"?
"Where Do We Come From?" was written by PAUL RICHARD EPWORTH, JESSIE REYEZ, NIKOLAJ TORP LARSEN, JOSHUA ISHMAEL LOGAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBARL2000715?

GBARL2000715 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Where Do We Come From? by Paul Epworth, Ishmael, ELLE YAYA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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