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Zwölf Gedichte von Justinus Kerner, op. 35: Sehnsucht nach der Waldgegend album cover

ISRC

GBASH2369522

Zwölf Gedichte von Justinus Kerner, op. 35: Sehnsucht nach der Waldgegend

Song: Zwölf Gedichte, op. 35: V. Sehnsucht nach der Waldgegend

Florian BoeschMalcolm Martineau
Released 2023-06-16

Last verified:

GBASH2369522 is the International Standard Recording Code (ISRC) for the recording "Zwölf Gedichte von Justinus Kerner, op. 35: Sehnsucht nach der Waldgegend" by Florian Boesch, Malcolm Martineau, released 2023-06-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ASHRegistrant
23Year (2023)
69522Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Zwölf Gedichte von Justinus Kerner, op. 35: Sehnsucht nach der Waldgegend" by Florian Boesch?
The ISRC for "Zwölf Gedichte von Justinus Kerner, op. 35: Sehnsucht nach der Waldgegend" by Florian Boesch, Malcolm Martineau is GBASH2369522.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBASH2369522?

GBASH2369522 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Zwölf Gedichte von Justinus Kerner, op. 35: Sehnsucht nach der Waldgegend" by Florian Boesch, Malcolm Martineau. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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