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ISRC

GBAYC0103309

Souvenir de Florence, op. 70: I. Allegro con spirito

Song: Souvenir de Florence in D minor, op. 70: I. Allegro con spirito

Sarah ChangBernhard HartogWolfram ChristTanja ChristGeorg FaustOlaf Maninger
Released 2002-01-01

Last verified:

GBAYC0103309 is the International Standard Recording Code (ISRC) for the recording "Souvenir de Florence, op. 70: I. Allegro con spirito" by Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger, released 2002-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
01Year (2001)
03309Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Souvenir de Florence, op. 70: I. Allegro con spirito" by Sarah Chang?
The ISRC for "Souvenir de Florence, op. 70: I. Allegro con spirito" by Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger is GBAYC0103309.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0103309?

GBAYC0103309 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Souvenir de Florence, op. 70: I. Allegro con spirito" by Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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