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Eugène Onéguine: Scène de la lettre album cover

ISRC

GBAYC0203898

Eugène Onéguine: Scène de la lettre

Song: Евгений Онегин, op. 24: Действие I, картина 2, no. 9. Сцена письма “Пускай погибну я, но прежде”

Orchestre philharmonique de Radio FrancePaavo JärviBarbara Hendricks
Released 2024-11-08

Last verified:

GBAYC0203898 is the International Standard Recording Code (ISRC) for the recording “Eugène Onéguine: Scène de la lettre” by Orchestre philharmonique de Radio France, Paavo Järvi, Barbara Hendricks, released 2024-11-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
02Year (2002)
03898Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Eugène Onéguine: Scène de la lettre" by Orchestre philharmonique de Radio France?
The ISRC for "Eugène Onéguine: Scène de la lettre" by Orchestre philharmonique de Radio France, Paavo Järvi, Barbara Hendricks is GBAYC0203898.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0203898?

GBAYC0203898 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Eugène Onéguine: Scène de la lettre” by Orchestre philharmonique de Radio France, Paavo Järvi, Barbara Hendricks. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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