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ISRC

GBAYC0303256

Serse: Act 2, Scene XIV: No 39 Aria - Chi cede al furore (Romilda)

Song: Serse, HWV 40: Atto II, no. 42. Aria “Chi cede al furore” (Romilda)

Elizabeth Norberg-SchulzLes Arts FlorissantsWilliam Christie
Released 2004-09-15

Last verified:

GBAYC0303256 is the International Standard Recording Code (ISRC) for the recording "Serse: Act 2, Scene XIV: No 39 Aria - Chi cede al furore (Romilda)" by Elizabeth Norberg-Schulz, Les Arts Florissants, William Christie, released 2004-09-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
03Year (2003)
03256Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Serse: Act 2, Scene XIV: No 39 Aria - Chi cede al furore (Romilda)" by Elizabeth Norberg-Schulz?
The ISRC for "Serse: Act 2, Scene XIV: No 39 Aria - Chi cede al furore (Romilda)" by Elizabeth Norberg-Schulz, Les Arts Florissants, William Christie is GBAYC0303256.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0303256?

GBAYC0303256 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Serse: Act 2, Scene XIV: No 39 Aria - Chi cede al furore (Romilda)" by Elizabeth Norberg-Schulz, Les Arts Florissants, William Christie. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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