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ISRC

GBAYC0502428

Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto

Song: Variations on a Theme by Joseph Haydn, op. 56b: Variation VIII. Poco presto

Martha ArgerichPolina Leschenko
Released 2006-06-05

Last verified:

GBAYC0502428 is the International Standard Recording Code (ISRC) for the recording "Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto" by Martha Argerich, Polina Leschenko, released 2006-06-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
05Year (2005)
02428Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto" by Martha Argerich?
The ISRC for "Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto" by Martha Argerich, Polina Leschenko is GBAYC0502428.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0502428?

GBAYC0502428 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto" by Martha Argerich, Polina Leschenko. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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