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ISRC

GBAYC0700152

Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona)

Song: Otello: Atto IV. “Ave Maria” (Desdemona)

Maria CallasOrchestre de la Société des Concerts du ConservatoireNicola Rescigno
Released 1987-01-01

Last verified:

GBAYC0700152 is the International Standard Recording Code (ISRC) for the recording "Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona)" by Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
07Year (2007)
00152Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona)" by Maria Callas?
The ISRC for "Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona)" by Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno is GBAYC0700152.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0700152?

GBAYC0700152 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona)" by Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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