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ISRC

GBAYC1001816

Piano Concerto No. 3: II. Adagio religioso - Poco piu mosso - Tempo I

Song: Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso

Annie FischerLondon Symphony OrchestraIgor Markevitch
Released 2014-04-07

Last verified:

GBAYC1001816 is the International Standard Recording Code (ISRC) for the recording "Piano Concerto No. 3: II. Adagio religioso - Poco piu mosso - Tempo I" by Annie Fischer, London Symphony Orchestra, Igor Markevitch, released 2014-04-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
10Year (2010)
01816Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Piano Concerto No. 3: II. Adagio religioso - Poco piu mosso - Tempo I" by Annie Fischer?
The ISRC for "Piano Concerto No. 3: II. Adagio religioso - Poco piu mosso - Tempo I" by Annie Fischer, London Symphony Orchestra, Igor Markevitch is GBAYC1001816.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1001816?

GBAYC1001816 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Concerto No. 3: II. Adagio religioso - Poco piu mosso - Tempo I" by Annie Fischer, London Symphony Orchestra, Igor Markevitch. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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