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ISRC

GBAYC1205328

1812 Overture, op. 49

Song: The Year 1812, Festival Overture in E-flat major, op. 49

Band of The Royal Marines School of MusicSir Vivian DunnBournemouth Symphony OrchestraConstantin Silvestri
Released 2013-02-05

Last verified:

GBAYC1205328 is the International Standard Recording Code (ISRC) for the recording "1812 Overture, op. 49" by Band of The Royal Marines School of Music, Sir Vivian Dunn, Bournemouth Symphony Orchestra, Constantin Silvestri, released 2013-02-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
12Year (2012)
05328Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "1812 Overture, op. 49" by Band of The Royal Marines School of Music?
The ISRC for "1812 Overture, op. 49" by Band of The Royal Marines School of Music, Sir Vivian Dunn, Bournemouth Symphony Orchestra, Constantin Silvestri is GBAYC1205328.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1205328?

GBAYC1205328 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "1812 Overture, op. 49" by Band of The Royal Marines School of Music, Sir Vivian Dunn, Bournemouth Symphony Orchestra, Constantin Silvestri. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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