ISRC
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena)2
Song: Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati)
Last verified:
GBAYC1400767 is the International Standard Recording Code (ISRC) for the recording “Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena)” by Fedora Barbieri, Coro del Teatro alla Scala di Milano, Rolando Panerai, Nicola Zaccaria, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
GBAYC1400767 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena)” by Fedora Barbieri, Coro del Teatro alla Scala di Milano, Rolando Panerai, Nicola Zaccaria, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Label
Warner Classics
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GBAYC1400767 is the International Standard Recording Code (ISRC) for the recording “Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena)” by Fedora Barbieri, Coro del Teatro alla Scala di Milano, Rolando Panerai, Nicola Zaccaria, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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DEF057100132Plácido Domingo, Barbara Hendricks, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan
DEF058140117Berliner Philharmoniker, Herbert von Karajan
DEF058301491Musical work link not available yet
This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.
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