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Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto album cover

ISRC

GBAYC1501537

Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto2

Itzhak PerlmanPittsburgh Symphony OrchestraAndré Previn
Released 1993-03-28

Last verified:

GBAYC1501537 is the International Standard Recording Code (ISRC) for the recording "Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto" by Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn, released 1993-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
15Year (2015)
01537Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto" by Itzhak Perlman?
The ISRC for "Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto" by Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn is GBAYC1501537.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1501537?

GBAYC1501537 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto" by Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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