Mass for 3 Voices: I. Kyrie album cover

ISRC

GBAYC1600522

Mass for 3 Voices: I. Kyrie2

Song: KYRIE FROM MASS FOR FOUR VOICES

The Hilliard EnsemblePaul Hillier
matched
Released 1987-01-01

Last verified:

GBAYC1600522 is the International Standard Recording Code (ISRC) for the recording "Mass for 3 Voices: I. Kyrie" by The Hilliard Ensemble, Paul Hillier, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WILLIAM BYRD, HENRY WASHINTON.

Format

GBCountry
AYCRegistrant
16Year (2016)
00522Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WILLIAM BYRDComposer
HENRY WASHINTONComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Mass for 3 Voices: I. Kyrie" by The Hilliard Ensemble?
The ISRC for "Mass for 3 Voices: I. Kyrie" by The Hilliard Ensemble, Paul Hillier is GBAYC1600522.
Who wrote "Mass for 3 Voices: I. Kyrie"?
"Mass for 3 Voices: I. Kyrie" was written by WILLIAM BYRD, HENRY WASHINTON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1600522?

GBAYC1600522 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mass for 3 Voices: I. Kyrie" by The Hilliard Ensemble, Paul Hillier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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