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ISRC

GBAYC1900291

Claudio Cesare, Act II, Scene 1: Aria “Crudo amor, non hai pietà” (Claudio)

Song: Claudio Cesare, Act 2: "Crudo amor, non hai pietà" (Claudio)

Jakub Józef OrlińskiIl Pomo d’OroMaxim Emelyanychev
Released 2019-11-08

Last verified:

GBAYC1900291 is the International Standard Recording Code (ISRC) for the recording "Claudio Cesare, Act II, Scene 1: Aria “Crudo amor, non hai pietà” (Claudio)" by Jakub Józef Orliński, Il Pomo d’Oro, Maxim Emelyanychev, released 2019-11-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
19Year (2019)
00291Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Claudio Cesare, Act II, Scene 1: Aria “Crudo amor, non hai pietà” (Claudio)" by Jakub Józef Orliński?
The ISRC for "Claudio Cesare, Act II, Scene 1: Aria “Crudo amor, non hai pietà” (Claudio)" by Jakub Józef Orliński, Il Pomo d’Oro, Maxim Emelyanychev is GBAYC1900291.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1900291?

GBAYC1900291 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Claudio Cesare, Act II, Scene 1: Aria “Crudo amor, non hai pietà” (Claudio)" by Jakub Józef Orliński, Il Pomo d’Oro, Maxim Emelyanychev. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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