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Weihnachtsoratorium, BWV 248: Pt. 6: No. 11. Nun seid ihr wohl gerochen album cover

ISRC

GBAYC1901163

Weihnachtsoratorium, BWV 248: Pt. 6: No. 11. Nun seid ihr wohl gerochen

Song: Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“

Balsom EnsembleAlison Balsom
Released 2019-11-08

Last verified:

GBAYC1901163 is the International Standard Recording Code (ISRC) for the recording “Weihnachtsoratorium, BWV 248: Pt. 6: No. 11. Nun seid ihr wohl gerochen” by Balsom Ensemble, Alison Balsom, released 2019-11-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
19Year (2019)
01163Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Weihnachtsoratorium, BWV 248: Pt. 6: No. 11. Nun seid ihr wohl gerochen" by Balsom Ensemble?
The ISRC for "Weihnachtsoratorium, BWV 248: Pt. 6: No. 11. Nun seid ihr wohl gerochen" by Balsom Ensemble, Alison Balsom is GBAYC1901163.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1901163?

GBAYC1901163 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Weihnachtsoratorium, BWV 248: Pt. 6: No. 11. Nun seid ihr wohl gerochen” by Balsom Ensemble, Alison Balsom. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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