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ISRC

GBAYC1901717

Agrippina, HWV 6: Atto secondo, Scena 8: “Da quali ordite trame”

Song: Agrippina, HWV 6: Atto II, Scena VIII. Recitativo "Da quali ordite trame" (Poppea)

Joyce DiDonatoElsa BenoitIl Pomo d’OroMaxim Emelyanychev
Released 2020-01-28

Last verified:

GBAYC1901717 is the International Standard Recording Code (ISRC) for the recording "Agrippina, HWV 6: Atto secondo, Scena 8: “Da quali ordite trame”" by Joyce DiDonato, Elsa Benoit, Il Pomo d’Oro, Maxim Emelyanychev, released 2020-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
19Year (2019)
01717Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Agrippina, HWV 6: Atto secondo, Scena 8: “Da quali ordite trame”" by Joyce DiDonato?
The ISRC for "Agrippina, HWV 6: Atto secondo, Scena 8: “Da quali ordite trame”" by Joyce DiDonato, Elsa Benoit, Il Pomo d’Oro, Maxim Emelyanychev is GBAYC1901717.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1901717?

GBAYC1901717 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Agrippina, HWV 6: Atto secondo, Scena 8: “Da quali ordite trame”" by Joyce DiDonato, Elsa Benoit, Il Pomo d’Oro, Maxim Emelyanychev. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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