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Tamerlano, HWV 18, Act I, Scene 8: “Dal crudel che m’ha tradita” (Irene) album cover

ISRC

GBAYC2002234

Tamerlano, HWV 18, Act I, Scene 8: “Dal crudel che m’ha tradita” (Irene)2

Song: Tamerlano, HWV 18, Act I Scene VIII: Aria "Dal crudel che m'ha tradita"

Nathalie StutzmannOrfeo 55
Released 2021-01-15

Last verified:

GBAYC2002234 is the International Standard Recording Code (ISRC) for the recording "Tamerlano, HWV 18, Act I, Scene 8: “Dal crudel che m’ha tradita” (Irene)" by Nathalie Stutzmann, Orfeo 55, released 2021-01-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
20Year (2020)
02234Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Tamerlano, HWV 18, Act I, Scene 8: “Dal crudel che m’ha tradita” (Irene)" by Nathalie Stutzmann?
The ISRC for "Tamerlano, HWV 18, Act I, Scene 8: “Dal crudel che m’ha tradita” (Irene)" by Nathalie Stutzmann, Orfeo 55 is GBAYC2002234.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2002234?

GBAYC2002234 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Tamerlano, HWV 18, Act I, Scene 8: “Dal crudel che m’ha tradita” (Irene)" by Nathalie Stutzmann, Orfeo 55. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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