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ISRC

GBAYC2003371

Piano Concerto no. 17 in G major, K. 453: 3rd Movement: Allegretto

Song: Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto

André PrevinLondon Symphony OrchestraSir Adrian Boult
Released 1974-02-01

Last verified:

GBAYC2003371 is the International Standard Recording Code (ISRC) for the recording "Piano Concerto no. 17 in G major, K. 453: 3rd Movement: Allegretto" by André Previn, London Symphony Orchestra, Sir Adrian Boult, released 1974-02-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
20Year (2020)
03371Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Piano Concerto no. 17 in G major, K. 453: 3rd Movement: Allegretto" by André Previn?
The ISRC for "Piano Concerto no. 17 in G major, K. 453: 3rd Movement: Allegretto" by André Previn, London Symphony Orchestra, Sir Adrian Boult is GBAYC2003371.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2003371?

GBAYC2003371 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Concerto no. 17 in G major, K. 453: 3rd Movement: Allegretto" by André Previn, London Symphony Orchestra, Sir Adrian Boult. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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