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ISRC

GBAYC2200040

Giulio Cesare in Egitto, HWV 17, Atto II, Scena 11: Aria “L’aure che spira”

Song: Giulio Cesare in Egitto, HWV 17: Atto II, Scena XI, 31. Aria “L’aure che spira” (Sesto)

Eva ZaïcikLe Concert d’AstréeEmmanuelle Haïm
Released 2022-04-22

Last verified:

GBAYC2200040 is the International Standard Recording Code (ISRC) for the recording "Giulio Cesare in Egitto, HWV 17, Atto II, Scena 11: Aria “L’aure che spira”" by Eva Zaïcik, Le Concert d’Astrée, Emmanuelle Haïm, released 2022-04-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
22Year (2022)
00040Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Giulio Cesare in Egitto, HWV 17, Atto II, Scena 11: Aria “L’aure che spira”" by Eva Zaïcik?
The ISRC for "Giulio Cesare in Egitto, HWV 17, Atto II, Scena 11: Aria “L’aure che spira”" by Eva Zaïcik, Le Concert d’Astrée, Emmanuelle Haïm is GBAYC2200040.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2200040?

GBAYC2200040 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Giulio Cesare in Egitto, HWV 17, Atto II, Scena 11: Aria “L’aure che spira”" by Eva Zaïcik, Le Concert d’Astrée, Emmanuelle Haïm. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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