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ISRC

GBAYC2202108

Messa di Gloria: II. Christe eleison

Song: Messa di Gloria: Ib. Christe eleison (tenors)

Lawrence BrownleeMichael SpyresOrchestra dell’Accademia Nazionale di Santa CeciliaAntonio Pappano
Released 2022-10-07

Last verified:

GBAYC2202108 is the International Standard Recording Code (ISRC) for the recording "Messa di Gloria: II. Christe eleison" by Lawrence Brownlee, Michael Spyres, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano, released 2022-10-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
22Year (2022)
02108Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messa di Gloria: II. Christe eleison" by Lawrence Brownlee?
The ISRC for "Messa di Gloria: II. Christe eleison" by Lawrence Brownlee, Michael Spyres, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano is GBAYC2202108.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2202108?

GBAYC2202108 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messa di Gloria: II. Christe eleison" by Lawrence Brownlee, Michael Spyres, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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