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ISRC

GBAYC2401366

Cello Concerto No. 1 in A minor, Op. 33: Allegro non troppo -

Song: Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo

Mstislav RostropovichLondon Philharmonic OrchestraCarlo Maria Giulini
Released 1997-04-28

Last verified:

GBAYC2401366 is the International Standard Recording Code (ISRC) for the recording "Cello Concerto No. 1 in A minor, Op. 33: Allegro non troppo -" by Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini, released 1997-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
24Year (2024)
01366Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cello Concerto No. 1 in A minor, Op. 33: Allegro non troppo -" by Mstislav Rostropovich?
The ISRC for "Cello Concerto No. 1 in A minor, Op. 33: Allegro non troppo -" by Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini is GBAYC2401366.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2401366?

GBAYC2401366 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cello Concerto No. 1 in A minor, Op. 33: Allegro non troppo -" by Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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