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ISRC

GBAYC8100315

Die Zauberflöte: Akt II. „In diesen heil'gen Hallen”

Song: Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro)

Roland BrachtSinfonie-Orchester des Bayerischen RundfunksBernard Haitink
Released 1983-01-01

Last verified:

GBAYC8100315 is the International Standard Recording Code (ISRC) for the recording "Die Zauberflöte: Akt II. „In diesen heil'gen Hallen”" by Roland Bracht, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink, released 1983-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
81Year (1981)
00315Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1981):
Last two digits of the reference year (1981). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Die Zauberflöte: Akt II. „In diesen heil'gen Hallen”" by Roland Bracht?
The ISRC for "Die Zauberflöte: Akt II. „In diesen heil'gen Hallen”" by Roland Bracht, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink is GBAYC8100315.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8100315?

GBAYC8100315 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Zauberflöte: Akt II. „In diesen heil'gen Hallen”" by Roland Bracht, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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